Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | A Portrait of the Daughters of Ramon Subercasseaux | i talienska gatumusikanter | Unknow work 86 | flaskplockerskan | mrs j donald cameron |
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Edward Haytley
British Painter, active 1740-ca.1762,was an English portrait and landscape painter of the 18th century. Little is known about him, but the background of some of his sitters and professional contacts suggest he may have come from Lancashire. Few of his works survive, but he appears to have specialised in the "conversation piece" form popular with the landed gentry of mid-18th century England, a group portrait against an idealised backdrop of the subjects' estates. His works of this form include one of Elizabeth Robinson with her parents, Edward and Elizabeth Montagu, at Sandleford Priory near Hythe, Kent; six portraits of the Stanley family including one of Sir Robert and Lady Bradshaigh in front of Haigh Hall; and two of the Brockman family on its Kent estate, Beachborough, both showing the newly-constructed Temple Pond. One of the latter may include Susanna Highmore, daughter of the portrait painter Joseph Highmore. His best known works are the oil-on-canvas roundels of Bethlem and Chelsea Hospitals donated in 1740, at the behest of William Hogarth, to the Foundling Hospital, London. His last recorded work was a conversation piece of William Milner, second baronet, dated 1764, and he is assumed to have died shortly after this date
Jean Descourtiz
French 19th
Pavel Chistyakov
(July 5 [O.S. June 23] 1832 - November 11, 1919) was a Russian painter and teacher of art. He studied at the St.Petersburg Academy of arts (1849-1861) under Petr Basin. He was a pensioner of the Academy of Arts in Paris and in Rome (1862?C1870). He taught in the Drawing School of the Society for the Encouragement of the Arts (1860-1864), and in St.Petersburg (from 1872) he was the professor-head of workshop (1908-1910) and managing mosaic branch (1890-1912). The art-pedagogical system of Chistiakov, whose students included Viktor Vasnetsov, Mikhail Vrubel, Vasily Polenov, Ilya Repin, Valentin Serov, and Vasily Surikov, developed in constant struggle against the inert system of academism and played a huge role in the development of realism in Russian art of the second half of the 19th century. The main goal of Chistiakov was the preparation of the artist-citizen possessing high professional skill. His pedagogical method assumed the merger of the direct perception of nature by the artist with its scientific study. In creative practice he aspired to dramatization of a historical plot and psychological saturation in historical and genre portraits (Head of a Ciucciara, 1864, in the Russian Museum,